Showing posts with label artbloggersof. Show all posts
Showing posts with label artbloggersof. Show all posts

5.26.2009

2.25.2009

TRYHARDER in Culture Monster/LA Times


Big thanks to Christopher Knight, of the LA Times, for adding TRYHARDER to his art blogroll favorites!

.....hmmmm could I be the smart snark or sociability...I'll take it!

I still enjoyed this review too. ha

2.03.2009

simply the best


maybe the best art blog out there....buck paulson blog!?

you judge. but it is blowing my mind.


12.16.2008

Artlog interviews Terence Koh


What brought you to art or what brought art to you?

Koh: one is born an artist. whether you choose to accept this path of torture is completely up to yourself. the path of an artist is pure torture because you have complete freedom. its not limited by the constraints of the body like dance or fashion, the barrier of language in poetry. art is infinite. and i am a universe unto myself.

interview: artlog, photo: asianpunkboy

the idiot's guide to start a gallery: step one - marry rich


Edward Winkleman has a book coming out (Amazon July 2009):

How to Start and Run a Commercial Art Gallery

"...Mr. Crawford assured me that the book will be marketed with a shelf-life in mind of about 10 years, and that in that context, now is actually a very good time to get such a book into the market, as now is when people who may want to open a gallery when the market turns up again should begin planning for it...I think there is plenty in it that could help artists wishing to work with a commercial gallery, collectors, and budding dealers. Much of it is based on interviews I conducted with experts in the gallery business and related fields, but much of it is also based on the very conversations we've had on this blog... As the market turns down, some galleries close, non-profit spaces see their budgets tightened, and exhibition opportunities in general become harder to find perhaps, now is the time to think past the recession in terms of where your career can go. That may mean scaling back on your studio expenses but taking advantage of how much nicer everyone becomes when times get tough to network more with curators, collectors and other artists..." edward winkleman